Workflow · Bandwidth
Production and post-production
Bandwidth decides whether your editors work or wait.
Throughput decides whether your editors are working or waiting. Everything else — the suites, the licences, the talent — waits behind that reality.
The reality of the sector
A production house lives one simple equation: more projects, more cameras, more resolution — and the same storage as three years ago. The symptoms look alike everywhere: proxies because the network can’t keep up, external drives making the rounds from desk to desk, archives nobody dares touch, and deliveries done the night before because exports block everyone.
None of these problems get solved by buying “more storage.” They get solved by calculating: how many suites at once, in which codecs, with which paths between capture, edit, grading and delivery.
What we deliver in this sector
- Shared storage sized on your real workflows — not on a spec sheet
- Dedicated video networks: 10, 25, 100 Gb where it counts
- Migrations without stopping production, in stages, with a way back
- Structured archives: LTO, nearline, indexing — searchable, not just stacked
- MAM and AI indexing to find a shot in seconds
- Podcast studios and overflow stages to broaden the offer
Where to start
If your editors are waiting, we measure first: the workflow audit shows where things actually jam — often not where you think. You walk away with numbers, and the investment decision gets made on facts.
- Montreal
Renewing a post house's storage — and moving it out of the building
The largest storage renewal we have delivered: infrastructure renewed, relocated to a data center and given true disaster recovery — without a single day of production lost.
- Montreal
Eight years on the same storage: Cirque du Soleil, from design to renewal
Eight years on the same platform, with no forced migration and no media loss — then a planned, full renewal instead of an emergency replacement.